Come, Your Hearts and Voices Raising

Come, your hearts and voices raising

Come, Your Hearts and Voices Raising is a hymn text by Paul Gerhardt (1653) in L.M. (8.8.8.8) meter. Translated by John C. Mattes. Found in CW21 362, CW93 42, ELH 128, elw 700. Sung to GOTT DES HIMMELS.

This hymn exemplifies Lutheran theology's emphasis on God's sovereign grace and protective care, celebrating the continuity between Old Testament promises (as referenced in Luke 1:68-71) and New Testament fulfillment in Christ. The text emphasizes both divine majesty and personal assurance of salvation, central to Lutheran soteriology.

History & Background

Written by Paul Gerhardt in 1653, originally titled 'Gott des Himmels und der Erden,' this hymn appeared in Gerhardt's devotional writings and became widely used in German Lutheran hymnals. John C. Mattes provided the English translation in 1914, preserving the theological depth and jubilant character of the original.

Hymnal Appearances

  • Christian Worship: Hymnal β€” 362
  • Christian Worship β€” 42
  • Evangelical Lutheran Hymnary β€” 128
  • Evangelical Lutheran Worship β€” 700
  • Lutheran Book of Worship β€” 68
  • Lutheran Service Book β€” 375
  • Lift Up Your Hearts β€” 76
  • Lutheran Worship β€” 48
  • The Lutheran Hymnal β€” 90

Translation

John C. Mattes

Bulletin Note

Written by Paul Gerhardt in 1653, this hymn anchors faith in the continuity of God's Old Testament promises fulfilled in Christ, reflecting Lutheran conviction that grace alone secures our salvation.

Preaching Connection

This hymn embodies the Law-Gospel arc by moving from acknowledgment of divine majesty and our need for deliverance to confident proclamation of God's completed redemptive work in Christ.

Catechism & Confessional Connections

In the Church Year

Hymn of the Day (Lutheran Service Book) for: Christmas Dawn

Suggested in the one-year series

  • Christmas Dawn (3Γ—)
  • Christmas Day (3Γ—)
  • Christmas 1 (2Γ—)
  • Christmas 2 (2Γ—)
  • Advent 4 (1Γ—)

Suggested in the three-year series

  • Christmas Dawn (4Γ—)

From LCMS Worship's published hymn suggestions, 2014–2026. The count is how many of those yearly lists suggested this hymn for that day.

AI-assisted draft These study notes were drafted with AI from the hymn text and have not yet been reviewed line by line. Treat them as a starting point and check them against the sources.

Overview

A short-lined, buoyant Christmas hymn by Paul Gerhardt, published in the 1666/67 collected edition of his hymns (Ebeling). It is a song of liberation: the coming of Christ is told as the defeat of sin, death and Satan and the release of captives. After a call to praise (st. 1), it mocks the defeated enemies (st. 2), names God's gift of his Son (st. 3) and Christ's descent to help us (st. 4), celebrates 'Jacob's Star' breaking hell's power (st. 5), and declares the captives free (st. 6). The final stanzas turn to the joy of faith that grasps this freedom (st. 7) and a prayer to the 'gracious Child' to lead us to the angels' choir (st. 8).

Central theme: Christ's birth as the liberation of captives from sin, death and Satan

Structure

Eight four-line stanzas; lines 1-3 rhyme, line 4 stands alone, matching the carol shape of QUEM PASTORES. Movement: call (1) — defeat of enemies (2) — gift of the Son (3-4) — victory (5) — freedom (6) — faith's joy (7) — prayer (8).

Law & Gospel Shape

Gospel throughout. The Law's enemies — sin, death, Satan, bondage — are named only as conquered powers.

Confessional Connections

The 'Christus Victor' strand of Lutheran soteriology: Christ conquers sin, death, devil (Small Catechism, Second Article: 'from all sins, from death, and from the power of the devil'). Faith 'grasps' the blessing (st. 7) — justification by faith as receiving (AC IV; Ap IV).

Liturgical Use (Study Notes)

Christmas; the Twelve Days; especially apt for children's choirs and for alternating stanzas.

Historical Notes

Gerhardt's text was written for the Bohemian carol melody; TLH's translation is composite.

About the Tune

QUEM PASTORES (Bohemian carol, 14th/15th c.), the 'Quempas' tune long sung in German Christmas processions.

Scripture References

Luke 2:15-20 Ps 95:1-2 1 Cor 15:55-57 Heb 2:14-15 John 3:16 Num 24:17 Rev 22:16 Isa 61:1 Luke 4:18 John 8:36 Gal 5:1 Rom 8:2 Luke 2:13-14

Stanza by Stanza

1 Come, your hearts and voices raising…

Come, raise hearts and voices, gladly praising Christ the Lord; sing loudly of his amazing love, you honored people of Christendom.

A call to praise in the manner of the psalms (Ps 95:1-2). Note 'hearts and voices': worship is both inward faith and outward confession (Rom 10:9-10). The object of praise is Christ's 'love amazing' — Christmas is first of all a revelation of the Son's love, not merely a wonder of nature. 'Worthy folk of Christendom' honors the Church: Christians are made worthy not by themselves but by the One who has come to them. The stanza sets the communal, festive tone; Gerhardt is writing for the gathered congregation, as the shepherds 'made known' what they had heard (Luke 2:17).

Scripture
Ps 95:1-2, Rom 10:9-10, Luke 2:15-20, Eph 3:18-19
Imagery & language
Hearts and voices; 'love amazing'; the Church addressed as 'worthy folk.'
Law / Gospel
Gospel — praise for Christ's love.
Connection to previous
Opening call.
praise Christmas joy the Church
2 Sin and death may well be groaning…

Sin and death may well groan and Satan moan; we, claiming our full salvation, cast every care away.

A taunt song over defeated enemies, in the tradition of 1 Cor 15:55 ('O death, where is your sting?'). The three tyrants of Lutheran soteriology — sin, death, devil — now 'groan' and 'moan' because Christ has come to undo them (Heb 2:14-15). 'Full salvation owning' is the response of faith: salvation is complete, not partial, and faith simply claims it as its own. Because of this, 'we cast our every care away' (1 Pet 5:7). The order matters: freedom from anxiety follows from the objective defeat of our enemies, not from a change in our circumstances.

Scripture
1 Cor 15:55-57, Heb 2:14-15, 1 Pet 5:7, Rom 8:1-2
Imagery & language
Personified enemies groaning; the casting away of care.
Law / Gospel
Gospel — enemies defeated, salvation full.
Connection to previous
Gives the reason for the praise called for in st. 1.
Christus Victor assurance freedom from anxiety
3 See how God, for us providing…

See how God, providing for us, gave his Son and everlasting life; Christ guides our weary steps from earth's woe to heaven's joy.

The source of salvation is the Father's provision: he 'gave His Son' (John 3:16; Rom 8:32). With the Son comes 'life abiding' — eternal life is not a separate gift but is found in the Son (1 John 5:11-12). The second half moves from gift to guidance: the Good Shepherd leads 'weary steps' on the pilgrim road (Ps 23; Heb 13:14). The phrase 'from earth's woe to heavenly joy' sets the whole Christian life between the manger and the consummation; the Lutheran realism about 'earth's woe' is never denied, but it is framed by the goal.

Scripture
John 3:16, Rom 8:32, 1 John 5:11-12, Ps 23:1-4, Heb 13:14, Isa 40:29-31
Imagery & language
God 'providing'; the weary pilgrim led home.
Law / Gospel
Gospel — the Father's gift and the Son's guidance.
Connection to previous
From the defeat of enemies (st. 2) to its source in the Father's gift.
Father's love eternal life pilgrimage providence
4 Christ, from heaven to us descending…

Christ came down from heaven, in love befriending our race, extending help in our need, and saved us from the crafty Foe.

A compact Christology: descent (John 3:13; Phil 2:7), friendship with our race (John 15:13-15), help in need (Heb 4:15-16), and rescue from 'the wily Foe' (Eph 6:11, 'the schemes of the devil'). 'Befriending' is a warm word: the Son does not merely tolerate humanity but takes our nature and calls us friends. This is the Lutheran 'for us': the incarnation happens 'in our need,' not as a display. The past tense 'saved us' sets the whole of Christ's work — from crib to cross — as accomplished fact on which faith rests.

Scripture
John 3:13, Phil 2:6-8, John 15:13-15, Heb 2:17-18, Heb 4:15-16, Eph 6:11, Col 1:13
Imagery & language
Descent from heaven; friendship; the 'wily Foe.'
Law / Gospel
Gospel — Christ's descent and rescue.
Connection to previous
Shifts from the Father's giving (st. 3) to the Son's coming.
incarnation Christ our friend rescue from Satan
5 Jacob's Star in all its splendor…

Jacob's Star shines in splendor with sweet and tender comfort, forcing Satan to surrender and breaking all the powers of hell.

Balaam's oracle — 'a star shall come out of Jacob' (Num 24:17) — fulfilled in Christ, who calls himself 'the bright morning star' (Rev 22:16), and echoed by the star of the Magi (Matt 2:2). Gerhardt pairs two effects of the one Light: toward believers, 'comfort sweet and tender'; toward Satan, defeat. The same Christ is gentle to sinners and terrible to the devil. This is the evangelical double edge of the incarnation: 'the reason the Son of God appeared was to destroy the works of the devil' (1 John 3:8). Hell's powers are 'broken' not by force of arms but by the light of a child.

Scripture
Num 24:17, Rev 22:16, Matt 2:2, 2 Pet 1:19, Mal 4:2, 1 John 3:8, Col 2:15
Imagery & language
Star imagery; comfort and conquest from one light.
Law / Gospel
Gospel — comfort for us, defeat for Satan.
Connection to previous
Develops the 'wily Foe' of st. 4 into the overthrow of hell.
messianic prophecy Christ the Star Christus Victor comfort
6 From the bondage that oppressed us…

From the bondage that oppressed us, from sin's fetters that held us, from the grief that sorely troubled us, we captives are now free.

A triple 'from' — bondage, fetters, grief — answered by one declaration: 'we… now are free.' This is the jubilee proclamation of Isa 61:1 that Jesus claimed in Nazareth (Luke 4:18): liberty to the captives. Lutheran theology understands the natural man as bound — the will captive to sin (Luther, Bondage of the Will; FC II; AC XVIII). Here the captivity is not denied but ended: 'If the Son sets you free, you will be free indeed' (John 8:36). The present tense 'now are free' is declarative, like absolution — freedom is a gift pronounced, not an achievement.

Scripture
Isa 61:1, Luke 4:18, John 8:34-36, Rom 6:17-18, Rom 8:2, Gal 5:1
Imagery & language
Bondage, fetters, captives; liberty proclaimed.
Law / Gospel
Law named (bondage of sin) only to be overcome; Gospel — liberation.
Connection to previous
Climax of the victory theme; enemies defeated (2, 5) means captives freed.
freedom bondage of the will release of captives redemption
7 Oh, the joy beyond expressing…

Oh, the inexpressible joy when by faith we grasp this blessing and come to you confessing that you have won our freedom!

The stanza names how the freedom of st. 6 becomes ours: 'by faith we grasp.' Faith is the empty hand that takes hold of what Christ offers (Ap IV: faith is the reception of the promise). Faith then speaks: 'confessing that our freedom Thou hast wrought.' The confession gives all credit to Christ — 'Thou hast wrought' — excluding any synergism (FC II). The 'joy beyond expressing' (1 Pet 1:8, 'joy inexpressible') is the fruit of justification, not its cause.

Scripture
Eph 2:8-9, Rom 5:1-2, 1 Pet 1:8, Rom 10:9-10, Gal 5:1
Imagery & language
Joy beyond words; faith 'grasping'; the confession of the mouth.
Law / Gospel
Gospel — faith receives; joy follows.
Connection to previous
Shows how the objective freedom of st. 6 is received.
justification by faith confession joy monergism
8 Gracious Child, we pray Thee, hear us…

Gracious Child, hear us; cheer us from your lowly manger, lead us gently and stay near us until we join the angels' choir.

The hymn ends in prayer to the Christ Child, who is addressed as one who hears — a confession of his divinity even in the manger (he is prayed to). 'From Thy lowly manger cheer us': comfort comes from the place of humiliation. The requests — lead, be near — trust Christ's promise to be with us always (Matt 28:20). The goal returns to the angels of Luke 2: the Church on earth will finally join their song (Rev 5:11-13; 7:9-12). Christmas worship is a foretaste of that choir; the liturgy's 'with angels and archangels' says the same.

Scripture
Luke 2:13-14, Matt 28:20, Ps 23:2-3, Isa 40:11, Rev 5:11-13, Rev 7:9-12
Imagery & language
The 'gracious Child' prayed to; manger and angelic choir framing the Christian life.
Law / Gospel
Gospel — prayer trusting Christ's nearness to the end.
Connection to previous
Turns the confession of st. 7 into prayer; the angels' song closes the circle begun at Bethlehem.
prayer to Christ divinity of the Child eschatology communion with angels

Themes

praise and thanksgiving divine mercy and blessing redemption through Christ joy in salvation God's protection and deliverance

Look Further