In His Temple Now Behold Him

In his temple now behold him

In His Temple Now Behold Him is a hymn text by Hendrik Nicodemus Bouwman (1869) in L.M. (8.8.8.8) meter. Translated by Composite translation. Found in CW93 77, elw 417, lbw 184, lsb 519. Sung to HYFRYDOL.

The hymn celebrates the Presentation of Jesus in the temple, emphasizing Christ's obedience to the Law and his self-offering as the redemptive sacrifice. It reflects Lutheran understanding of Christ fulfilling both the ceremonial law and the Old Testament sacrificial system, prefiguring his ultimate redemptive work.

History & Background

This Dutch hymn was originally titled 'In zijn tempel nu aanschouwet' and appeared in the 1869 Dutch hymnal. The English translation, compiled from various sources, was first widely distributed in Lutheran hymnals beginning in the 1871 edition.

Hymnal Appearances

  • Christian Worship β€” 77
  • Evangelical Lutheran Worship β€” 417
  • Lutheran Book of Worship β€” 184
  • Lutheran Service Book β€” 519
  • Lutheran Worship β€” 186
  • The Lutheran Hymnal β€” 139

Translation

Composite translation

Bulletin Note

Written by Dutch hymnodist Hendrik Nicodemus Bouwman in 1869, this hymn captures the Presentation through Lutheran eyes: Christ fulfills Mosaic law and prefigures his redemptive sacrifice, transforming ceremony into gospel.

Preaching Connection

This hymn crystallizes the Law-Gospel movement: Christ's obedience to the law culminates not in condemnation but in his sacrificial self-offering, where the requirement becomes grace and the shadow becomes substance.

Stanza Arc

The narrative or theological arc traced by this tune's stanzas: Christological anticipation (St. 1-2) → Incarnational paradox (St. 3) → Pneumatological reign (St. 4)

Background Research

AI-assisted draft This background note was researched with AI from published hymnal sources and has not yet been checked line by line. Please verify details such as dates before relying on them.

Henry John Pye (1827–1903), born at Chacombe, Northants, Eton and Trinity, Cambridge. He was curate at Cuddesdon, then rector of Clifton Campville, Staffordshire (1851–68). In 1851 he married Emily, daughter of Bishop Samuel Wilberforce. He wrote this for Candlemas (the Presentation, Luke 2:22–40) in a hymn collection he compiled for his parish. Twist: in 1868 Pye, his wife and his brother and sister became Roman Catholics, painful for her father, a leading Anglican bishop. Pye then left the ministry, read law and was called to the bar (1876). Not yet checked: TLH's split crediting st 4 to William Cooke (1853); the Canterbury Dictionary may confirm. The tune in TLH is not yet checked.

Sources: Patrick Comerford blog 'The Candlemas hymnwriter' (2 Feb 2023).

In the Church Year

Hymn of the Day (Lutheran Service Book) for: Presentation of Our Lord

Suggested in the one-year series

  • Presentation of Our Lord (1Γ—)
  • Christmas 1 (3Γ—)

Suggested in the three-year series

  • Presentation of Our Lord (1Γ—)
  • Christmas 1 (1Γ—)

From LCMS Worship's published hymn suggestions, 2014–2026. The count is how many of those yearly lists suggested this hymn for that day.

AI-assisted draft These study notes were drafted with AI from the hymn text and have not yet been reviewed line by line. Treat them as a starting point and check them against the sources.

Overview

A hymn for the Presentation of Our Lord (Luke 2:22-38). TLH credits stanzas 1-3 to Henry John Pye and the doxology to William Cooke (1853). It bids us behold the long-expected Lord in his Temple, fulfilling the prophets (st. 1); see him in his virgin mother's arms while Simeon and Anna adore him before they die (st. 2); prays that by his presentation he would seal us with his promise and present us cleansed to the Father (st. 3); and closes with Trinitarian praise to the Author of salvation (st. 4). The theological high point is st. 3: Christ is presented to God so that we may be presented 'cleansed and pure.'

Central theme: The presentation of Christ in the Temple, so that we may be presented holy before the Father

Structure

Four six-line stanzas (8.7.8.7.8.7). Fulfillment (1); scene with Mary, Simeon and Anna (2); prayer applying the presentation (3); doxology (4).

Law & Gospel Shape

Gospel: 'Thou, who didst for us endure… present us… cleansed and pure.' Our impurity is implied.

Confessional Connections

The Presentation as Christ's obedience to the Law for us (Gal 4:4-5; FC III, active obedience). 'Seal us with Thy promise' — the Spirit's sealing in the means of grace (Eph 1:13; Baptism). Being presented 'cleansed and pure' is justification and its completion in glory (Col 1:22; AC IV). 'Incarnate God most high' (AC III).

Liturgical Use (Study Notes)

The Presentation of Our Lord / Purification of Mary (February 2); Sunday after Christmas.

Historical Notes

Henry John Pye (c. 1825-1903), English clergyman. TLH credits st. 4 to William Cooke (1853); verify the split against the TLH Handbook.

About the Tune

SIEH, HIER BIN ICH (Geistreiches Gesangbuch, Darmstadt, 1698). Row 710 uses WESTMINSTER ABBEY (Purcell, adapted), the LSB tune.

Scripture References

Luke 2:22-38 Mal 3:1 Exod 13:2, 12-15 Lev 12:6-8 Isa 7:14 Luke 2:30 Col 1:22 Eph 5:27 Jude 24 Eph 1:13 Heb 2:10 Heb 12:2

Stanza by Stanza

1 In His Temple now behold Him…

Behold him now in his Temple, the long-expected Lord; the ancient prophets foretold him; God has now fulfilled his word; his redeemed shall now break out with one voice in his praise.

Mal 3:1 again: 'the Lord whom you seek will suddenly come to his temple.' The forty-day-old infant brought for the ritual of presentation (Exod 13:2, 12; Luke 2:22-24) is in fact the Lord of the Temple. 'God has now fulfilled His word' — God's faithfulness to his promise is a constant Epiphany theme (2 Cor 1:20). 'His redeemed' — even at his presentation, the Child is already Redeemer; Exod 13 required the firstborn to be redeemed with a price, but this Firstborn will redeem everyone else.

Scripture
Mal 3:1, Luke 2:22-24, Exod 13:2, 12-15, 2 Cor 1:20, Isa 35:10
Imagery & language
Temple; long expectation; redeemed chorus.
Law / Gospel
Gospel — promise fulfilled.
Connection to previous
Opening.
Presentation fulfillment Christ the Redeemer
2 In the arms of her who bore Him…

See him lying in the arms of the pure Virgin who bore him, while his aged saints adore him before they die in faith and hope. Hallelujah! Behold the incarnate God most high.

The scene from Luke 2: the Child in Mary's arms, then in Simeon's (2:28). 'Virgin pure' confesses the virgin birth (Isa 7:14; AC III). Simeon and Anna 'adore Him' — worship of the infant as God. 'Ere in faith and hope they die' — they die as all Old Testament saints did, in faith, but now having seen (Heb 11:13; Luke 2:29-30). The climax, 'Lo! the incarnate God most high,' states the personal union bluntly: the infant is the Most High God. Lutheran piety never tires of this paradox.

Scripture
Luke 2:25-38, Isa 7:14, Luke 2:28-30, Heb 11:13, John 1:14, 1 Tim 3:16
Imagery & language
Mother's arms; aged saints; Hallelujah.
Law / Gospel
Gospel — God incarnate held in human arms.
Connection to previous
The scene of fulfillment.
incarnation virgin birth Simeon and Anna worship
3 Jesus, by Thy presentation…

Jesus, by your presentation, you who endured for us, make us see our great salvation, seal us with your sure promise, and present us cleansed and pure to your Father in your glory.

The hymn's theological center. Christ's presentation — his being offered to God under the Law — is the start of his obedience 'for us' (Gal 4:4-5), which ends on the cross. The prayers: 'make us see our great salvation' (Simeon's words, Luke 2:30); 'seal us with Thy promise sure' (Eph 1:13, the Spirit's seal; 2 Cor 1:22); and 'present us… to Thy Father, cleansed and pure.' Col 1:22: Christ reconciled us 'in order to present you holy and blameless.' Eph 5:27 and Jude 24 promise the same. The parallel is beautiful: he was presented to God for us, so that we will be presented to God in him.

Scripture
Gal 4:4-5, Luke 2:30, Eph 1:13, 2 Cor 1:22, Col 1:22, Eph 5:25-27, Jude 24
Imagery & language
Presentation for presentation; seal.
Law / Gospel
Gospel — Christ presented for us; we presented pure through him.
Connection to previous
Applies the scene of st. 1-2.
active obedience sealing of the Spirit justification glorification
4 Prince and Author of salvation…

Prince and Author of salvation, let your boundless love be our theme; Jesus, may the world you redeemed give you praise, with the Father and the Spirit, Lord of supreme majesty.

Cooke's doxology. 'Prince and Author of salvation' combines Acts 3:15/5:31 ('Prince' / 'Leader') and Heb 2:10 ('the founder [archegos] of their salvation'), and Heb 5:9 ('source of eternal salvation'). His 'boundless love' (Eph 3:18-19) is the theme of all Christian song. 'The world Thou didst redeem' confesses universal redemption (1 John 2:2; FC XI on universal grace). The doxology joins him to the Father and the Spirit as Lord of majesty.

Scripture
Acts 3:15, Acts 5:31, Heb 2:10, Heb 5:9, Eph 3:18-19, 1 John 2:2, Matt 28:19
Imagery & language
Doxology; 'Prince and Author.'
Law / Gospel
Gospel — praise of universal redemption.
Connection to previous
Concludes in praise.
Christ the Author of salvation universal redemption Trinity doxology

Themes

Presentation of Jesus Redemption Obedience of Christ Temple worship Simeon and Anna

Look Further