O Dearest Jesus, What Law Hast Thou Broken
O dearest Jesus, what law hast thou broken
O Dearest Jesus, What Law Hast Thou Broken is a hymn text by Johann Heermann (1630) in L.M. (8.8.8.8) meter. Translated by Catherine Winkworth. Found in elw 345, h82 158, lbw 123, lsb 439. Sung to HERZLIEBSTER JESU.
This hymn exemplifies Lutheran penal substitutionary atonement theology, emphasizing Christ's vicarious satisfaction of God's law on behalf of sinners. It reflects the Reformation's recovery of forensic justification and the centrality of Christ's passive obedience and suffering.
History & Background
Johann Heermann composed this hymn in German as 'Herzliebster Jesu, was hast du verbrochen' around 1630 during the Thirty Years' War. Catherine Winkworth's English translation appeared in her 1858 collection 'Lyra Germanica' and became the standard version in Lutheran hymnals.
Hymnal Appearances
- Evangelical Lutheran Worship β 345
- The Hymnal 1982 β 158
- Lutheran Book of Worship β 123
- Lutheran Service Book β 439
- Lutheran Worship β 119
- Trinity Hymnal β 247
- The Lutheran Hymnal β 143
Translation
Bulletin Note
Composed by Johann Heermann in 1630, this Lenten hymn expresses the heart of Lutheran atonement theology: Christ's passive obedience and vicarious suffering satisfy divine justice, freeing sinners through faith alone.
Preaching Connection
This hymn's concentrated focus on penal substitution—Christ bearing our penalty—makes it an ideal anchor for sermons unpacking the Law's accusation and the Gospel's vindication through forensic justification.
Stanza Arc
The narrative or theological arc traced by this tune's stanzas: Law (human guilt and Christ's rejection) → Gospel (substitutionary atonement and divine intercession) → Response (adoration and petition for pardon)
In the Church Year
Suggested in the one-year series
- Good Friday (2Γ)
- Holy Tuesday (1Γ)
Suggested in the three-year series
- Good Friday (2Γ)
- Lent 5 (1Γ)
From LCMS Worship's published hymn suggestions, 2014β2026. The count is how many of those yearly lists suggested this hymn for that day.
Overview
Johann Heermann, pastor at Köben in Silesia, published this in Devoti Musica Cordis (1630), in the midst of the Thirty Years' War, which repeatedly plundered his town. It is based on a medieval Latin meditation long attributed to Augustine (now ascribed to Jean de Fécamp, 11th c.), but Heermann makes it thoroughly evangelical. It is perhaps the greatest Lutheran Passion hymn and has three movements. First, the question of guilt (st. 1-7): what has Jesus done to deserve this? Nothing — 'It is my sins for which Thou, Lord, must languish.' The great exchange follows: the Shepherd dies for the sheep, the Master pays the servants' debt, the sinless dies and the sinner lives. Second, the question of response (st. 8-11): how can I repay? I cannot; even my resolve to renounce sin needs the Spirit. Third, a life of thanks (st. 12-15): steadfast devotion and an offered 'sacrifice' that is accepted for love's sake, ending in the praise of heaven. Bach used it in both the St. Matthew and St. John Passions.
Central theme: The innocent Son of God suffers for my sins in a wondrous exchange, and grateful faith responds by the Spirit's power
Structure
Fifteen Sapphic stanzas (11.11.11.5). (1) The question; (2) the suffering described; (3) the answer — my sins; (4-5) the exchange; (6) my condition; (7) wondrous love and my heedlessness; (8-9) what can I give?; (10-11) resolve and the Spirit's help; (12-13) a life of devotion; (14) the offering accepted by grace; (15) heaven. TLH prints all fifteen.
Law & Gospel Shape
A model of Law and Gospel. Law: my sin is the cause of Christ's suffering (3), my heart wholly tainted (6), heedless of his love (7), unable to repay (9) or to crucify desires (11). Gospel: the exchange — the sinner acquitted, God bound (5); love beyond sounding (7); my weak offering accepted 'for love's sake' (14); the crown of joy (15). Sanctification (10-13) is placed carefully after the Gospel and depends on the Spirit (11).
Confessional Connections
Vicarious satisfaction (AC III, IV; Ap IV): Christ bears the wrath 'I do merit.' The 'happy exchange' (Luther, Freedom of a Christian). Total depravity of original sin (st. 6; AC II; FC I). Free will cannot crucify the flesh; the Spirit must 'win me' (st. 11; FC II, IV, VI). Good works are pleasing to God only for Christ's sake, though imperfect (st. 14; Ap IV; FC IV).
Liturgical Use (Study Notes)
Lent, Holy Week, Good Friday; Passion devotions; individual stanzas (3, 4-5) work as responses to the Passion reading.
Historical Notes
Heermann (1585-1647) suffered illness and war losses. The Latin source is from the Liber Meditationum once attributed to Augustine. Crüger's tune (1640) and Bach's harmonizations made it the central Lutheran Passion chorale.
About the Tune
HERZLIEBSTER JESU (Johann Crüger, 1640).
Scripture References
Luke 23:4, 14-22 John 18:38 Matt 27:26-35 Isa 53:4-6 2 Cor 5:21 John 10:11 Isa 53:6 Matt 18:23-27 1 Pet 3:18 Rom 3:10-18 Isa 1:5-6 Eph 3:18-19 Ps 116:12 Rom 11:33-36 Gal 5:24 Rom 7:18-25 Gal 5:16-17 Rom 12:1 Matt 10:28 Ps 118:6 Mark 12:41-44 2 Tim 4:8 Rev 5:9-13
Stanza by Stanza
Dearest Jesus, what law have you broken that such a harsh sentence is spoken against you? What great crime must you confess, what dark transgression?
The hymn opens as a legal inquiry, like Pilate's 'What evil has he done?' (Luke 23:22; John 18:38). The answer from every quarter is 'nothing' — Pilate thrice declares him innocent (Luke 23:4, 14, 22). The question exposes the scandal of the cross: the only truly innocent man is condemned. The tender address 'dearest Jesus' (Herzliebster) shows this is devotion, not detached analysis. By asking what crime Jesus must 'confess,' Heermann prepares the turn in st. 3: the confession belongs to me. The law broken is not Christ's but mine (Gal 3:13).
- Scripture
- Luke 23:4, 14-22, John 18:38, John 8:46, Heb 4:15, 1 Pet 2:22
- Imagery & language
- Courtroom question; 'sharp sentence.'
- Law / Gospel
- Law — preparing to expose the true guilty party.
- Connection to previous
- Opening question.
They crown you with thorns, strike and scourge you, drive you with cruel mockery to the cross, give you gall to drink, keep reviling you; they crucify you.
A catalogue of the Passion: crown of thorns (Matt 27:29), striking and scourging (John 19:1-3), mockery (Matt 27:27-31, 39-44), gall (Matt 27:34; Ps 69:21), crucifixion. The repeated 'they' builds a crushing rhythm, ending in the short line 'They crucify Thee.' Heermann sets the scene before interpreting it; the facts of the Passion are the ground of faith (1 Cor 15:3). The thorns recall the curse of Gen 3:18 — Christ wears the sign of the curse he bears.
- Scripture
- Matt 27:26-35, John 19:1-3, 17-18, Ps 22:6-8, 16, Ps 69:21, Gen 3:17-18, Isa 50:6
- Imagery & language
- Accumulating verbs; the Sapphic short line as a blow.
- Law / Gospel
- Law — the horror of the suffering.
- Connection to previous
- Describes the 'sentence' of st. 1.
Where do these sorrows and this deadly anguish come from? It is my sins for which you, Lord, must suffer; all the wrath and woe you inherit — this is what I deserve.
The answer to st. 1: 'It is my sins.' Bach set this stanza in the St. John Passion. The theology is Isa 53:5-6: 'he was wounded for our transgressions… the LORD has laid on him the iniquity of us all.' 'The wrath… Thou dost inherit' — Christ bears not only human cruelty but God's wrath against sin (Rom 3:25; Gal 3:13); this is vicarious satisfaction (AC III; Ap IV). 'This I do merit' is the heart of repentance: the singer confesses that the sentence was his. The personal pronoun is essential — Lutheran Passion piety refuses to blame 'the Jews' or 'the soldiers' and places the guilt on 'my sins.'
- Scripture
- Isa 53:4-6, Rom 3:23-26, Gal 3:13, 2 Cor 5:21, 1 Pet 2:24, Rom 6:23
- Imagery & language
- Question and answer; inheritance of wrath.
- Law / Gospel
- Law — my sins are the cause; Gospel implied — he bears what I merit.
- Connection to previous
- Answers the question of st. 1.
What a strange punishment is suffered there! The Shepherd dies for sheep that loved to wander; the Master pays the debt his servants owe him, servants who would not know him.
The 'wondrous' (wunderbarlich) exchange, also set by Bach in the St. Matthew Passion. Two images: the Good Shepherd dying for straying sheep (John 10:11; Isa 53:6, 'All we like sheep have gone astray'), and the Master paying his servants' debt (cf. Matt 18:23-27, where the king forgives; here he pays it himself). The sheep 'loved to wander' and the servants 'would not know Him' — the beneficiaries are not merely weak but rebellious (Rom 5:8, 10: 'while we were enemies'). The 'strangeness' is that the punishment falls on the wrong party, deliberately and lovingly.
- Scripture
- John 10:11, Isa 53:6, 1 Pet 2:25, Matt 18:23-27, Col 2:14, Rom 5:6-10, John 1:10-11
- Imagery & language
- Shepherd and sheep; master and servants; reversal.
- Law / Gospel
- Gospel — substitution for rebels.
- Connection to previous
- Unfolds the 'my sins' of st. 3 into the great exchange.
The sinless Son of God must die in sorrow; the sinful child of man may live in gladness; man forfeited his life and is acquitted — God is bound.
The exchange stated in perfect antitheses: sinless/sinful, Son of God/child of man, die/live, sadness/gladness. 2 Cor 5:21 and 1 Pet 3:18 ('the righteous for the unrighteous'). The German closes: 'Der Mensch verwirkt den Tod und ist entgangen, Gott wird gefangen' — man has earned death and escapes; God is taken captive. Winkworth's 'God is committed' means 'God is committed to prison / bound.' It is daring language: in the person of the Son, God himself is arrested and condemned — the communication of attributes (FC SD VIII: 'God died'). 'Acquitted' is forensic, the language of justification (Rom 8:33-34).
- Scripture
- 2 Cor 5:21, 1 Pet 3:18, Rom 5:18-19, Rom 8:33-34, John 18:12, Acts 20:28
- Imagery & language
- Antithetical lines; courtroom 'acquitted'; God arrested.
- Law / Gospel
- Gospel — the sinner acquitted because God takes his place.
- Connection to previous
- Condenses st. 4 into a formula.
There was no part of me untainted by sin; sick with sin's poison my whole heart had fainted; my heavy guilt had nearly brought me to hell, such woe it caused me.
A confession of original sin in its full depth. 'No spot… untainted' — sin corrupts the whole person (Rom 7:18; Isa 1:5-6, 'the whole head is sick… no soundness in it'). 'Sin's poison' echoes the serpent (Num 21:6-9; John 3:14). This is the Formula of Concord's teaching that original sin is not a minor weakness but a deep corruption of nature (FC I). 'To hell had well-nigh brought me' — the Law's verdict is damnation (Rom 6:23). Placed after the exchange, this stanza shows how great the rescue was: we understand the depth of sin best at the cross.
- Scripture
- Rom 7:18, Isa 1:5-6, Ps 51:5, Rom 3:10-18, Num 21:6-9, Eph 2:1-3, Rom 6:23
- Imagery & language
- Spot, poison, sickness, near-hell.
- Law / Gospel
- Law — total corruption confessed.
- Connection to previous
- Turns from Christ's suffering to the sinner's condition.
Wonderful love, whose depth no heart has measured, that brought you here surrounded by foes and thieves! I was heedlessly chasing worldly pleasures while you were dying.
Eph 3:18-19: the love of Christ 'that surpasses knowledge.' It 'brought' him — love, not compulsion, led him to the cross (John 10:18; Gal 2:20). 'By foes and thieves surrounded' — numbered with transgressors (Isa 53:12; Mark 15:27). Then a piercing confession: while he was dying, I was pursuing pleasures. The contrast exposes the sinner's indifference (Lam 1:12, 'Is it nothing to you, all you who pass by?'). The Law here is not only gross sin but heedlessness toward Christ.
- Scripture
- Eph 3:18-19, John 10:18, Gal 2:20, Isa 53:12, Mark 15:27, Lam 1:12, Luke 12:19-20
- Imagery & language
- Unsounded depth; thieves; pleasures pursued.
- Law / Gospel
- Gospel — wondrous love; Law — my indifference.
- Connection to previous
- Sets Christ's love against the sinner's heedlessness.
Mighty King, no time can dim your glory! How can I spread abroad your wondrous story? How can I find any worthy gifts to offer? What dare I offer?
The hymn turns to response. The crucified is 'mighty King' — the inscription over the cross was true (John 19:19); his glory is revealed precisely in the cross (John 12:23; 17:1). The first response is proclamation ('spread abroad Thy wondrous story,' Ps 9:11; 1 Pet 2:9). The second is the question of offering: 'What dare I offer?' The word 'dare' reflects proper fear — nothing we bring is worthy (Mic 6:6-7).
- Scripture
- John 19:19, John 12:23, Ps 9:11, 1 Pet 2:9, Mic 6:6-7, Ps 116:12
- Imagery & language
- King's glory; offering.
- Law / Gospel
- Gospel — the King's glory in the cross; question of response.
- Connection to previous
- Begins the response section.
Human wisdom ponders in vain; your woes and mercy still exceed our wonder. How could I do anything to please you? Can I repay you?
Rom 11:33: 'How unsearchable are his judgments.' The cross surpasses reason (1 Cor 1:18-25). 'Can I requite Thee?' — the answer is no (Rom 11:35, 'Who has given a gift to him that he might be repaid?'). Lutheran theology refuses any notion that our works repay or complete Christ's work. The question 'how should I do aught that could delight Thee' is answered later: by faith, our works please God for Christ's sake (st. 14).
- Scripture
- Rom 11:33-36, 1 Cor 1:18-25, Ps 116:12, Heb 11:6, Luke 17:10
- Imagery & language
- Pondering wisdom; unanswered questions.
- Law / Gospel
- Law — our inability to repay.
- Connection to previous
- Deepens the question of st. 8.
Yet, Lord, I would not leave you unrepaid; I will renounce whatever vexes or grieves you and quench all unholy fires with thoughts of you and humble prayer.
Though repayment is impossible, love wants to respond. The response is repentance: renouncing what 'grieves' him (Eph 4:30, 'do not grieve the Holy Spirit'). The means are 'thoughts of Thee and prayers most lowly' — meditation on the Passion and prayer quench 'fires unholy' (the passions of the flesh, 1 Pet 2:11). Luther's 1519 sermon on meditating on the Passion urges exactly this: the Passion, rightly considered, terrifies sin and kindles love. This is new obedience flowing from faith (AC VI).
- Scripture
- Eph 4:30, 1 Pet 2:11, Gal 5:24, Phil 4:8, 1 Thess 5:17
- Imagery & language
- Fires quenched by thoughts and prayer.
- Law / Gospel
- Sanctification — resolve flowing from gratitude.
- Connection to previous
- Gives an answer, though not a repayment.
But since my own strength will never be enough to crucify the desires that still entice me, let your Spirit win me to all good deeds and reign within me.
A crucial correction of st. 10's resolve: 'my strength will nevermore suffice.' Even in the regenerate, the flesh remains (Rom 7:18-25; Gal 5:17). Crucifying desires (Gal 5:24) is the Spirit's work, not ours (Rom 8:13). This is Lutheran monergism carried into sanctification: the will cooperates only as renewed and moved by the Spirit (FC II). The prayer 'let Thy Spirit win me and reign within me' is the Third Petition and the Third Article in miniature.
- Scripture
- Rom 7:18-25, Gal 5:16-25, Rom 8:13, Phil 2:13, Ezek 36:26-27
- Imagery & language
- Weak strength; Spirit winning and reigning.
- Law / Gospel
- Law — my inability; Gospel — the Spirit's work.
- Connection to previous
- Qualifies the resolve of st. 10.
I will think on your mercy without ceasing, so that earth's vain joys no longer please me; doing your will shall be my only aim forever.
Continual remembrance of mercy is the engine of the Christian life (Ps 103:2; 1 Cor 11:26). Its effect is a shift of desire: vain joys lose their attraction (Phil 3:7-8; 1 John 2:15-17). 'To do Thy will' (Ps 40:8; Heb 10:7, the words of Christ himself) becomes the aim — but now as a gift received through mercy, not as a ladder to God.
- Scripture
- Ps 103:2, 1 Cor 11:26, Phil 3:7-8, 1 John 2:15-17, Ps 40:8, Heb 10:7
- Imagery & language
- Unceasing thought; vain joys.
- Law / Gospel
- Sanctification — rooted in mercy.
- Connection to previous
- The Spirit's reign (11) shown in renewed desires.
Whatever earthly good this life gives me I will risk for you; no shame or cross shall daunt me; I will not fear what man can do to harm me, nor will death alarm me.
Discipleship includes the cross (Matt 16:24-25). 'I'll risk for Thee' everything earthly (Matt 10:37-39). 'I shall not fear what man can do' quotes Ps 118:6 and Heb 13:6. For Heermann, who lost property repeatedly to soldiers, this was no abstraction. Fear of death is overcome by the one who died for us (Heb 2:14-15). These are bold words, but in context they are prayer-like vows resting on the Spirit's strength (st. 11).
- Scripture
- Matt 16:24-25, Matt 10:28, 37-39, Ps 118:6, Heb 13:6, Heb 2:14-15, Rom 8:35-39
- Imagery & language
- Risking all; shame, cross, death.
- Law / Gospel
- Gospel — courage from Christ's victory.
- Connection to previous
- Extends the life of devotion to suffering.
But my sacrifice is worthless, I admit; yet, Lord, for love's sake you will not reject it; you will accept my gift in your great meekness and not shame my weakness.
A beautiful Lutheran stanza on good works. Our 'sacrifice' — the thank-offering of life (Rom 12:1; Heb 13:15) — is 'worthless' in itself because always tainted by sin (Isa 64:6). Yet God accepts it 'for love's sake' — for Christ's sake. This is exactly the Apology's teaching: the works of the justified please God not because they are perfect but because the person is accepted in Christ (Ap IV; FC IV, VI). Like the widow's mite (Mark 12:41-44), the gift is accepted in 'meekness,' without shaming the giver.
- Scripture
- Rom 12:1, Heb 13:15-16, Isa 64:6, 1 Pet 2:5, Mark 12:41-44, Eph 1:6
- Imagery & language
- Worthless offering; gracious acceptance.
- Law / Gospel
- Law — the imperfection of our works; Gospel — acceptance for Christ's sake.
- Connection to previous
- Answers the question 'What dare I offer?' (st. 8).
And when, dear Lord, the crown of joy is at last given to me before your throne in heaven, where your saints forever raise you sweetest hymns, I too shall praise you.
The hymn closes in glory: the crown (2 Tim 4:8; Rev 2:10) given by grace, and endless praise (Rev 5:9-13). The question of st. 8, 'How shall I spread abroad Thy wondrous story?', is finally answered: in heaven, with all the saints. 'I, too' is moving — the one who confessed total corruption (st. 6) will join the song. The Passion hymn ends with the praise of the Lamb who was slain.
- Scripture
- 2 Tim 4:8, Rev 2:10, Rev 5:9-13, Rev 7:9-12, 1 Pet 5:4
- Imagery & language
- Throne, crown, sweetest hymns.
- Law / Gospel
- Gospel — glory and eternal praise.
- Connection to previous
- Resolves the hymn's questions in eternal praise.
Themes
Atonement Substitutionary sacrifice Christ's passion Guilt and forgiveness Penal substitution