O Lord How Shall I Meet Thee
O Lord, how shall I meet Thee
O Lord How Shall I Meet Thee is a hymn text by Paul Gerhardt (1653) in 8.7.8.7.8.8.7 meter. Translated by John Wesley. Found in CW21 324, CW93 18, elw 263, lbw 23. Sung to MACHT HOCH DIE TÜR.
The hymn emphasizes proper preparation for encountering Christ through repentance, personal examination, and renewed faith—central to Lutheran Advent theology. It reflects the eschatological hope and Christocentric focus of Lutheran worship, calling believers to readiness for both Christ's historical coming at Bethlehem and His future return in judgment.
History & Background
Originally written as "Wie soll ich dich empfangen" by Paul Gerhardt in 1653 for Advent, it became one of the most beloved German Advent hymns. John Wesley's English translation first appeared in 1737 and has been widely used in Protestant hymnals since the 19th century.
Hymnal Appearances
- Christian Worship: Hymnal β 324
- Christian Worship β 18
- Evangelical Lutheran Worship β 263
- Lutheran Book of Worship β 23
- Lutheran Service Book β 334
- Lutheran Worship β 19
- The Lutheran Hymnal β 58
Translation
Bulletin Note
Composed by Paul Gerhardt in 1653 during religious upheaval, this Advent hymn has shaped Lutheran preparation for centuries. Its tune, *Macht hoch die Tür*, reflects medieval splendor—gates flung wide for the King.
Preaching Connection
This hymn develops the Law-Gospel movement perfectly: its call to repentance and self-examination intensifies the hearer's awareness of need, then pivots to the comfort and promise of Christ's merciful advent, making visible the movement from conviction to consolation.
Stanza Arc
The narrative or theological arc traced by this tune's stanzas: Law (preparation/opening hearts) → Gospel (Christ's sovereign arrival) → Eschatological transformation (peace and redemption) → Call to welcome and praise
Background Research
Gerhardt's 'Wie soll ich dich empfangen', first printed 1653 in the 5th edition of Crüger's Praxis pietatis melica with Crüger's own tune. Ten stanzas: the first five on God's love, the last five on a threatened Church facing the Last Day. Images from Palm Sunday (Matt 21), the wise virgins' torches (Matt 25) and Rev 3:20. Bach opened part 1 of the Christmas Oratorio's chorales with st. 1, but set it to the Passion Chorale melody, linking manger and cross. Buxtehude set it too (BuxWV 109). Source: Wikipedia 'Wie soll ich dich empfangen'.
In the Church Year
Suggested in the one-year series
- Advent 1 (6Γ)
- Palm Sunday (4Γ)
- Advent 2 (1Γ)
Suggested in the three-year series
- Advent 1 (7Γ)
- Advent 3 (1Γ)
- Palm Sunday (1Γ)
- Proper 27 (1Γ)
From LCMS Worship's published hymn suggestions, 2014β2026. The count is how many of those yearly lists suggested this hymn for that day.
Overview
Gerhardt's Advent masterpiece begins with the question of Palm Sunday: how shall I receive the coming King? Its answer is pure Gospel — I cannot prepare myself; he comes to me. The hymn moves from the question (st. 1-2), to the sinner's condition and Christ's rescue (st. 3), to the love that caused the incarnation (st. 4), then turns outward to comfort the sorrowful, the anxious, the guilty, and the persecuted (st. 5-8), and ends with Christ's return as Judge and Light (st. 9). It is one of the clearest Gospel hymns in the Lutheran tradition: preparation for Christ is not a work, because 'He comes, He comes all willing, moved by His love alone.'
Central theme: Christ comes to us by grace alone; we receive him not by our effort but by his love
Structure
Question (1-2); what Christ's coming does for me (3-4); comfort addressed to the troubled (5-8), with the refrain-like 'He comes' in st. 6-8; final coming in judgment and light (9).
Law & Gospel Shape
Law is present as the condition Christ meets — fetters, shame, sin's debt, doom — but every stanza turns it immediately to Gospel. St. 6 explicitly rejects our efforts to draw Christ to ourselves.
Confessional Connections
AC IV and FC II: conversion and justification are God's work; we cannot by our own strength come to him. St. 6 is almost a versified rejection of synergism. AC XVII (return of Christ).
Liturgical Use (Study Notes)
First Sunday in Advent (Palm Sunday Gospel in the historic lectionary); all of Advent; communion.
Historical Notes
Published 1653 in Crüger's 'Praxis Pietatis Melica.' Gerhardt's original has ten stanzas. Bach sets it in the Christmas Oratorio using the 'Passion chorale' melody.
About the Tune
VALET WILL ICH DIR GEBEN (Melchior Teschner, 1614) in TLH; WIE SOLL ICH DICH EMPFANGEN (J. Crüger) in some books.
Scripture References
Matt 21:1-9 Rom 13:11-14 Isa 61:1-3 John 3:16 Rev 3:20 Isa 40:1-2 Col 2:13-14 Titus 2:13 Mal 4:2
Stanza by Stanza
The singer asks how to welcome Christ rightly; the church longs to greet him as hope and delight; he prays the Lord to light the lamp of faith in his heart so he may humbly do what pleases God.
The opening question is the Palm Sunday crowd's question turned personal (Matt 21:1-9, the historic Gospel for Advent 1). It is also the question every reformation of piety has to answer: what must I do to be ready for Christ? Gerhardt's first answer is already a prayer, not a program: 'O kindle, Lord, most holy, / Thy lamp within my breast.' The lamp recalls the wise virgins (Matt 25:1-13) and the lamp of the Word (Ps 119:105). The light of faith must be lit by God himself (2 Cor 4:6). Only then can one 'in spirit lowly' do what pleases him — good works follow faith, they do not prepare for it.
- Scripture
- Matt 21:1-9, Matt 25:1-13, Ps 119:105, 2 Cor 4:6, Rom 13:11-12, Heb 11:6
- Imagery & language
- Welcoming a guest; a lamp kindled in the breast.
- Law / Gospel
- Gospel — prayer for faith before works.
- Connection to previous
- Opening question.
As Zion spread branches and palms before Christ, the singer will adore him with joyful songs; his heart will bloom with new praise and will always give honor to his name.
The Palm Sunday scene (Matt 21:8; John 12:13). The crowd's palms become the believer's songs and psalms — the church's worship is how Zion welcomes its King today. 'My heart shall bloom forever / For Thee with praises new' echoes Ps 96:1 ('a new song') and Isa 35:1-2 (the desert blossoming). Praise is the fitting response of a heart that has been visited; it is not the price of the visit. This stanza responds to the first: once God kindles faith, the heart answers with worship.
- Scripture
- Matt 21:8-9, John 12:13, Ps 96:1, Ps 118:26-27, Isa 35:1-2
- Imagery & language
- Green boughs and palms; a blooming heart.
- Law / Gospel
- Response of faith — praise.
- Connection to previous
- Answers the question 'how shall I meet Thee' with worship.
The singer lay chained and groaning, standing in shame; Christ came to free and honor him, giving him a glory and treasure kept in heaven that will not fail like earthly riches.
Here the real answer begins: I could not meet Christ; he came to me. The fetters recall Isa 61:1 ('to proclaim liberty to the captives') and Luther's 'Fast bound in Satan's chains I lay.' Shame is exchanged for honor — a personal form of the great exchange (2 Cor 5:21). The 'treasure safe on high' quotes Matt 6:19-20 and 1 Pet 1:4 ('an inheritance that is imperishable… kept in heaven for you'). The contrast with 'earthly riches' that fly away (Prov 23:5) is typical of Gerhardt, who lost much in the Thirty Years' War. The structure is pairs of before-and-after: chained/freed, shamed/honored.
- Scripture
- Isa 61:1-3, Luke 4:18, Ps 107:10-14, 1 Pet 1:4, Matt 6:19-20, Prov 23:5
- Imagery & language
- Fetters; shame; heavenly treasure vs. fleeting riches.
- Law / Gospel
- Law (bondage, shame) answered by Gospel (freedom, honor).
- Connection to previous
- Turns from the singer's response to what Christ does.
Love brought Christ down to become man and come to the singer; his longing for our salvation won our freedom; his indescribable love embraced our lost and fallen race.
The theological center of the hymn: the cause of the incarnation is love alone (John 3:16; 1 John 4:9-10). The word 'love' appears six times in the stanza in some form — Gerhardt is not being sentimental; he is excluding every other cause, especially any merit in us. 'Thy thirst for my salvation' may recall Christ's 'I thirst' on the cross (John 19:28), read as his longing for our redemption. 'Procured my liberty' — freedom from sin, death, and the devil, purchased (Gal 5:1). 'Our lost and fallen race' — the love is universal, embracing all humanity (1 John 2:2).
- Scripture
- John 3:16, 1 John 4:9-10, Phil 2:6-8, Gal 5:1, John 19:28, Eph 2:4-5
- Imagery & language
- Love personified; thirst; embrace.
- Law / Gospel
- Gospel — the incarnation as love.
- Connection to previous
- Explains why Christ came to free the singer (st. 3).
The sorrowful who sit in gloom, mourn lost joys, and fear their judgment should rejoice; Christ is near, standing at the door, and he will help and comfort them and tell them to weep no more.
The hymn turns outward and addresses others, as a preacher would. Those 'in deepest gloom' recall Isa 9:2 and Luke 1:79. 'Tremble at your doom' names the terror of conscience before God's judgment — Anfechtung. The answer is the nearness of Christ: 'He is near you' (Phil 4:5) and 'standing at the door' (Rev 3:20; Jas 5:9). 'Bids you weep no more' echoes Jesus' words to the widow of Nain (Luke 7:13) and Rev 21:4. Advent is good news for the sad, not just a season of joyful anticipation for the happy.
- Scripture
- Isa 9:2, Luke 1:79, Phil 4:4-5, Rev 3:20, Luke 7:13, Rev 21:4, Isa 61:2-3
- Imagery & language
- Gloom; a door; tears dried.
- Law / Gospel
- Gospel addressed to the troubled conscience.
- Connection to previous
- Applies the love of st. 4 to the sorrowful.
You do not need to labor and fret day and night about how to draw Christ to yourself by your own strength in your distress; he comes willingly, moved only by love, and calms your troubles, for he knows them all.
This is perhaps the most important stanza for Lutheran theology, and a direct rejection of the idea that we must prepare ourselves to receive grace (the medieval facere quod in se est, 'do what is in you'). We do not 'draw Him by our might'; 'He comes, He comes all willing, / Moved by His love alone.' This is the monergism of FC II: God alone converts, and Christ comes to sinners who cannot come to him (John 6:44; Rom 5:6-8). It is also pastoral: the anxious soul that worries whether it has prepared well enough for Christ is told to stop toiling. 'For all to Him are known' — Christ already knows every trouble (Ps 139:1-4; Heb 4:15).
- Scripture
- John 6:44, Rom 5:6-8, Rom 9:16, Eph 2:8-9, Matt 11:28, Ps 139:1-4, Heb 4:15
- Imagery & language
- Toil and languishing; drawing by force; Christ coming willingly.
- Law / Gospel
- Gospel — rejection of self-preparation.
- Connection to previous
- Removes the burden implied in the question of st. 1.
Do not let the terrible burden of sin's debt trouble your soul; the Lord will pardon guilt and cover it with grace; he comes to bring the peace of forgiveness and secure the heavenly inheritance for all God's children.
Sin as debt (Matt 6:12; Col 2:13-14, 'canceling the record of debt that stood against us'). 'Cover by His grace' echoes Ps 32:1 ('Blessed is the one whose transgression is forgiven, whose sin is covered'), which Paul cites for justification (Rom 4:7). The purpose of Christ's coming is named exactly: 'the peace of sin forgiven' (Rom 5:1). 'God's sons… their heritage in heaven' — adoption and inheritance (Gal 4:4-7; 1 Pet 1:4). This is the article of justification sung in Advent.
- Scripture
- Col 2:13-14, Ps 32:1-2, Rom 4:7-8, Rom 5:1, Gal 4:4-7, 1 Pet 1:3-4
- Imagery & language
- Debt and burden; covering; inheritance.
- Law / Gospel
- Gospel — forgiveness and adoption.
- Connection to previous
- Addresses the guilty after the sad (st. 5) and the anxious (st. 6).
Even if enemies rage with cunning and malice, do not fear; the Lord fights and will scatter their power; he comes as a glorious King, and all his earthly enemies oppose his victorious course in vain.
The persecuted and attacked are now addressed. 'Foes' include the devil, the world, and persecutors of the church (Ps 2:1-4, 'Why do the nations rage?'). 'Your Lord, the battle waging' recalls Ex 14:14 ('The LORD will fight for you') and Luther's 'But for us fights the Valiant One.' Christ comes 'a King most glorious' — Palm Sunday's humble King is also the victorious King of Ps 24:7-10. The futility of opposition is a theme of Ps 2 and Acts 4:25-28.
- Scripture
- Ps 2:1-6, Ex 14:14, Ps 24:7-10, Rom 8:31, Acts 4:25-28, 1 Cor 15:25
- Imagery & language
- War; raging foes; victorious king.
- Law / Gospel
- Gospel — Christ's victory.
- Connection to previous
- Addresses the threatened, completing the series of comforts.
Christ comes to judge the nations, terrifying to his enemies but a light of comfort and blessed hope to those who love his appearing; the singer asks the glorious Sun to come and guide us safely home.
The hymn ends with the second Advent. Christ's coming is double-edged: 'A terror to His foes' (Law) and 'A Light of consolations' (Gospel). 'Who love the Lord's appearing' quotes 2 Tim 4:8; 'blessed Hope' is Titus 2:13. The final prayer addresses Christ as the 'glorious Sun' (Mal 4:2, 'the sun of righteousness shall rise with healing in its wings'; Luke 1:78). 'Guide us safely home' — Advent ends not in fear of judgment but in confidence of homecoming. The same Christ who came to Jerusalem on a donkey comes at the end to bring his people home.
- Scripture
- Matt 25:31-33, 2 Tim 4:8, Titus 2:13, Mal 4:1-2, Luke 1:78-79, Rev 22:20
- Imagery & language
- Judgment; sun and beams; homecoming.
- Law / Gospel
- Law (judgment for foes) and Gospel (hope for believers).
- Connection to previous
- Moves from the first coming (st. 1-4) and present comfort (5-8) to the final coming.
Themes
Christ's coming preparation and readiness repentance faith and hope joyful expectation