CONSOLATION
CONSOLATION was originally set for solo voice to “Alma redemptoris mater” by Samuel Webbe, Sr. , in his Collection ofMotetts and Antiphons (1792). Thomas Hastings adapted the tune for use with Moore’s text in Spiritual Songs for Social Worship (1831). CONSOLATION is also known as ALMA and CONSOLATOR. With lyric sweetness and urgent rhythms, this tune has the character to support the solace offered in this text. Sing in parts or in unison (reminiscent of its vocal solo origins). Accompany with enough rhythmic firmness to offset any inherent sentimen tality. Liturgical Use: As an invitation hymn in evangelistic services, possibly with altar calls or with the Lord’s Supper (note st. 3); useful in the service of confession/forgiveness and comfort/ encouragement.
Stanza Arc
The narrative or theological arc traced by this tune's stanzas: Christ's advent and universal reign: from his anointed coming through his subduing of evil, merciful renewal of creation, establishment of peace and justice, to the eternal kingdom worshipped by all nations