CORONATION
Like MILES LANE (470), CORONATION was written for this text. Oliver Holden (b. Shirley MA, 1765; d. Charlestown, MA, 1844) composed the tune in four parts with a duet in the third phrase. The tune, whose title comes from the theme of Perronet’s text, was published in Holden’s Union Harmony (1793). It is the one eighteenth-century American tune that has enjoyed uninterrupted popularity—from the singing schools of that era to today’s congregational worship. CORONATION is a vigorous marching tune with many repeated tones that delighted Holden’s contemporaries. The tune requires the jubilant repetition of the last couplet of text for each stanza. Sing in parts and accompany with a firm sense of rhythm. Holden was reared in a small rural community and had only a minimal formal education—a few months in a “common school” in Groton, Massachusetts. He worked as a carpenter and was involved in community service in Charlestown, holding posts in the Anti-Slavery Society and serving in the Massachusetts House of Representatives. In addition he worked very profitably as a merchant and real estate dealer, and served as a Puritan lay preacher. Very interested in music, Holden became a composer and singing-school teacher in the tradition of William Billings. He was involved in publish ing various tunebooks, including The American Harmony (1792), The Massachusetts Compiler (1795), Plain Psalmody (1800), and The Charlestown Collection of Sacred Songs (1803). [Liturgical Use] See PHH 470. Liturgical Use: 638 REDEMPTION 472 MEIRIONYDD i=52
Stanza Arc
The narrative or theological arc traced by this tune's stanzas: Universal acclamation of Christ's lordship across all creation and redemption history