God Be With You till We Meet Again

God be with you till we meet again

The hymn reflects Lutheran emphasis on God's sustaining grace and protection through earthly pilgrimage, echoing the benedictory tradition of the Divine Blessing. Its trinitarian variants in various stanzas connect to Lutheran understanding of God's threefold work in salvation and sanctification.

History & Background

Composed by Jeremiah Eames Rankin in 1880, this hymn became one of the most popular closing hymns in American Protestant worship. It was first published in 'Gospel Bells' and quickly gained widespread adoption across denominations, particularly among Methodists and Evangelicals.

Jeremiah E. Rankin (b. Thornton, NH, 1828; d. Cleveland, Scripture References OH, 1904) says of his hymn text, st. 1- Acts 20:32 It was written as a Christian good-bye; it was called forth st. 3 = Deut. 33:27 st. 4 = Song of Songs 2:4 by no person or occasion, but was deliberately com­ posed as a Christian hymn on the basis of the etymology of “good-bye, ” which means “God be with you. ” The first stanza was sent to two different composers, one of musical note, the other [William G. Tomer] wholly unknown and not thoroughly educated in music. I selected the composition of the latter, and with some slight changes it was published. The first stanza was published in 1880 with the tune GOD BE WITH YOU by William G. Tomer in Gospel Bells; the 1883 edition of that hymnal included eight stanzas. A popular hymn, “God Be with You” gained currency through the evangelistic crusades of Dwight L. Moody and Ira D. Sankey . Modern hymnals usually print only four stanzas. The text is essentially a parting blessing, a prayer that God will guide you (st. 1), feed you (st. 2), and protect you in life and in death (st. 3-4). Each stanza is framed by the phrase “God be with you till we meet again.” A graduate of Middlebury College, Vermont, and of Andover Theological Seminary, Newton Center, Massachusetts, Rankin served Congregational churches in New York, Vermont, Massachusetts, Washington, D.C., andNewJersey (1855-1889). In 1889 he became president of Howard University, Washington, D.C., a school famous for its many prominent African American graduates. Rankin issued three volumes of poetry and hymn texts (of which “God Be with You” is his most well-known), collaborated in the compilation of hymnals such as The Gospel Temperance Hymnal (1878) and GospelBells (1880), and published German-English Lyrics, Sacred and Secular (1897).

Hymnal Appearances

  • Baptist Hymnal β€” 580
  • Chalice Hymnal β€” 434
  • Evangelical Lutheran Worship β€” 536
  • Glory to God β€” 541
  • Lutheran Book of Worship β€” 457
  • Lutheran Service Book β€” 924
  • Lutheran Worship β€” 347
  • New Century Hymnal β€” 81
  • Psalter Hymnal β€” 316
  • The Lutheran Hymnal β€” 225
  • United Methodist Hymnal β€” 672
  • Voices Together β€” 840
  • With One Voice β€” 743

Liturgical Use

Though traditionally used when ministers, missionaries, or others take their leave from a congregation, this hymn is generally useful as a dismissal hymn, as a prayer for blessing, and as a sung benediction.

Bulletin Note

Jeremiah Rankin wrote this benedictory hymn in 1880, drawing from the ancient tradition of the Divine Blessing. It has become a cornerstone of Lutheran and Christian worship, offering trinitarian comfort for both ordinary partings and the final farewell.

Preaching Connection

This hymn transforms the Gospel promise of God's sustaining grace into a lived experience of comfort, inviting the congregation to embody the blessing proclaimed from the pulpit and carried into the world.

Stanza Arc

The narrative or theological arc traced by this tune's stanzas: Progressive surrender to divine attributes: Love's embrace → Light's guidance → Joy's redemption → Cross's transformation

Themes

God's protection Parting blessing Divine guidance Christian fellowship Trust in providence

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