Now Let All Loudly Sing Praise
Now let all loudly sing praise
This hymn exemplifies Lutheran emphasis on the sovereignty and omnipotence of God as Creator and sustainer, drawing from 1 Chronicles 29:11. It expresses the theological conviction that all praise and dominion belong to God alone, reflecting Reformed Lutheran understanding of God's transcendence.
History & Background
Martin Behm's German hymn 'Nun lob, mein Seel, den Herren' was published in 1602 as part of German Lutheran hymnody. Catherine Winkworth's English translation appeared in her 1863 collection and became standard in Lutheran hymnals.
Hymnal Appearances
- Lutheran Worship — 3
- The Lutheran Hymnal — 28
Translation
Bulletin Note
Composed by Martin Behm in 1602, this hymn draws from 1 Chronicles 29:11 and exemplifies the Lutheran conviction that all majesty and dominion belong to God alone, making it a Reformation staple for celebrating divine transcendence.
Preaching Connection
This hymn amplifies the Gospel proclamation of God's absolute sovereignty by transforming it from doctrine into doxology—moving hearers from confession of God's power to joyful participation in cosmic praise.
Stanza Arc
The narrative or theological arc traced by this tune's stanzas: Law (divine majesty and power) → Gospel (providence, mercy, sustenance) → Gospel (daily goodness) → Gospel (communal adoration and response)
Themes
Praise and adoration God's sovereignty and majesty Divine kingdom and power All creation's response