AURELIA

Composed by Samuel S. Wesley (PHH 206), AURELIA (meaning “golden”) was pub­ lished as a setting for ‘Jerusalem the Golden” in Selection ofPsalms and Hymns, which was compiled by Charles Kemble and Wesley in 1864. Though opinions vary concerning the tune’s merits (HenryJ. Gauntlett once condemned it as “secular twaddle”), it has been firmly associated with Stone’s text since tune and text first appeared together in 672 CHURCH & MISSION the 1868 edition of Hymns Ancient and Modern. However, Erik Routley (PHH 31) suggests rejuvenating this text by singing it to ST. THEODULPH (375/376). Sing stanzas 1-3 in parts and stanza 4 in unison. Support with crisp organ articulation on the repeated soprano tones. [Liturgical Use] With Lord’s Day 21; Reformation celebrations; church festivals; ecumenical services; in times of theological controversy. Composed by Samuel S. Wesley , AURELIA (meaning “golden”) was pub­ lished as a setting for ‘Jerusalem the Golden” in Selection ofPsalms and Hymns, which was compiled by Charles Kemble and Wesley in 1864. Though opinions vary concerning the tune’s merits (HenryJ. Gauntlett once condemned it as “secular twaddle”), it has been firmly associated with Stone’s text since tune and text first appeared together in 672 CHURCH & MISSION the 1868 edition of Hymns Ancient and Modern. However, Erik Routley suggests rejuvenating this text by singing it to ST. THEODULPH (375/376). Sing stanzas 1-3 in parts and stanza 4 in unison. Support with crisp organ articulation on the repeated soprano tones.

Stanza Arc

The narrative or theological arc traced by this tune's stanzas: Christ as foundation → universal redemption → eternal security → communion of saints

Associated Hymn Texts (19)