ST. AGNES

John B. Dykes composed ST. AGNES for this text. Dykes named the tune after a young Roman Christian woman who was martyred in A.D. 304 during the reign of Diocletian. St. Agnes was sentenced to death for refusing to marry a nobleman to whom she said, “I am already engaged to Christ, to Him alone I keep my troth.” The tune was published in John Grey’s Hymnalfor Use in theEnglish Church (1866). ST. AGNES is a simple tune, best sung in two long lines and in harmony. To encour­ age meditation on the text (as was the practice with its Latin original), consider having the congregation follow the text of stanza 2 (“No voice can sing”) without singing, but simply listening to it as played by the organ. Liturgical Use: Worship that focuses on Christ’s redemptive work; Lord’s Supper; Lent.

Stanza Arc

The narrative or theological arc traced by this tune's stanzas: Law (conviction of sin and need for God's Word) → Gospel (Christ's redemption and grace) → Sanctification (Word as guide for holy living)

Associated Hymn Texts (28)

Set to This Tune in The Lutheran Hymnal (1)

Notes on the Tune

From Hymn Desk's analyses of the hymns sung to it.

TLH 361, O Jesus, King Most Wonderful : ST. AGNES (John B. Dykes, 1866); row 1201 uses HIDING PLACE.